Thursday, October 8, 2009

Movies, Movies, Movies!

Aside from being a huge lover of books, I'm also a huge lover of film. Always have been. As a writer, I love learning something from well-written films. I get caught up in the stories and characterizations in a different way than, perhaps, if I weren't a writer.

Here's a perfect example:

I showed this short film to my class last week. It's amazing. I'm not normally a fan of shorts, but this is a well-crafted piece of writing, beginning to end. It's one of 18 shorts in a movie called, I Love You, Paris. (Don't let the subtitles scare you away - it's actually fun to see the words on screen - makes the experience even richer). Out of the 18 shorts, I fell completely in love with about 9 of them, fell in like with about 6 of them, and could sort of take or leave the rest of them. This collection of shorts is quirky, moving, poignant, funny, gut-wrenching, and did I mention, amazing??

I told my students to view this short film much like they would read a short story - to notice the subtleties, the symbolism, the characterization, the themes of human nature - all crammed masterfully into a very short space of time.

If you're anything like me, you end up not just watching films, but dissecting them, scrutinizing them, peeking behind the curtain to see how the screenwriter did it. As writers, that's our job. We're allowed to peek behind that curtain. In fact, we should. But, I'll save that for another blog entry...

So, what are some of your favorite movies - that speak most particularly to the "writer in you?"

Tuesday, October 6, 2009

Never Let 'Em See You Sweat!

Raise your hand if this is true for you:

Easy reading is damn hard writing. ~Nathaniel Hawthorne

Aside from the occasional creative spurts that flow easily from your brain, straight to your fingertips, writing can be a challenge. (And if it's not, then good for you - you may stop reading now. :-) For most of us, there's a process, a diligence, a self-discipline that's involved behind-the-scenes. There's work. Damn hard work.

I had a conversation with my aunt (a fellow book-lover) awhile back. I was talking about the intricacies of writing - show-don't-tell, characterization, setting, etc. And she paused and said, "I don't think of any of that stuff when I'm reading, especially if it's a good book."

And it struck me - the reader shouldn't see the activity behind the curtain. They shouldn't be aware of the "special effects," the brainstorming, the blood, sweat, and tears the writer has had to endure. The finished product should be "easy."

Just like when you go to a live play or musical and the players involved make it look seamless, flawless - the actors all know their lines, the music is in all the right keys. Sitting there, an audience member should never be aware of the hours upon hours of hard labor that went into that flawless performance. And if the audience is aware, then it's not flawless.

So, pour all that hard work into your writing. And know that it will eventually PAY OFF -- when the reader doesn't see it.

Saturday, October 3, 2009

It's All in Your Head

Last week, I had two different students approach me with the same particular frustration: they have this great idea and they see it so clearly in their heads - but they just can't seem to transport it to the paper in a way that the reader can "see" exactly what they want him/her to see.

We talked about how that's probably the greatest challenge of writing - transporting the picture you see in your own head to the page - and then from the page to the reader's mind. Sometimes, that picture can get lost in translation. Sure, I would love it if readers "saw" my characters, my plot, my ideas, exactly the way that I see them in my own head, detail for detail. But the truth is, that's virtually impossible.

For instance, if I tell you to picture a tree with three branches, thick with emerald-green leaves, the image in your head might come close to mine, but it won't be identical. My tree will look different than your tree. It might be shorter, or the branches might lean in a different direction from yours. But I suppose that's the beauty of it all - because we're different people with different perspectives on the world, our interpretations will be utterly unique.

So, my suggestion to my students was to relax, and do the best they could do with the tools in their writing toolboxes - dialogue, imagery, characterization, setting - in order to place their unique vision onto the page. Then, to let it go. At that point, even if the reader's vision ends up being slightly different, it's okay. Because in the end, a tree will still be a tree.

Thursday, October 1, 2009

Life Gets in the Way...

So, on my plate currently: 7 classes, about 100 essays to grade over the next week, 300 pgs of my novel still to revise - oh, and getting SICK. Hey - that wasn't in the plan!

Seriously, it's times like these when real life seems to get in the way of my writing. And that stresses me out. Here, I've been so diligent and disciplined, juggling my essay-grading and my revisions for the last three weeks, and Wham! Suddenly I'm struck with flu-like symptoms that are begging for my attention. Tamiflu, come and rescue me!!!

It's frustrating, sure. But I make myself step back and realize what's important. My health is - absolutely. So, I try to rest, take fluids, stay home from school 2 days, and get well. I'm not there yet, but I hope it's soon.

Of course, this also means that both my essay-grading and my re-writes have now fallen behind. But when I'm tempted to feel guilty about that fact, I remind myself: I'm not Superwoman. When things start to intervene with writing, sometimes I think it's important to re-evaluate. To remember what the real priorities are. Like good health, family, friends, career.

Sure, writing is on that list, too. But I think writing has to be nudged down a few notches when life gets in the way. It'll eventually make its way back up to the top, but until those other important things are taken care of, the writing needs to take a backseat -- or else it will suffer, too...

Monday, September 28, 2009

Support Systems

I'm going to dive right in and ask a question: Do you have friends or members of your family who don't "get" your writing? Treat it as a silly hobby? Or even mock you for spending hours upon hours on something that may or may not ever get published?

I think, sadly, all of us do.

Certainly, I have many family members and friends who are incredible supporters of my writing. They actually listen when I go on and on about my characters and plots - or, better yet, they READ what I write and seem to enjoy it (and no, I don't bribe them). But -- there are also those whose eyes glaze over when I talk about writing. Or worse, they never - I mean, never - ask about how my writing is going or what project I'm currently working on. In fact, I've had people who knew about an article I published in a national magazine, but never bothered to read it. It was 3 pages long and would've taken them 5 minutes' time. But they didn't really care.

Sure, it's frustrating and even hurtful when people seem not to care about our passion - our writing. But I guess I've learned to shrug my shoulders at them and feel sorry for them, for missing out on a VITAL part of who I am, of what's important to me. I understand that writing isn't everyone's cup of tea - that they might not share my level of interest in it. But I guess I hope for the same courtesy that I give to them, showing interest in things they are passionate about (whether I'm equally passionate about them or not). Is it really too much to ask for a mutual exchange?

Bottom line, writers need support and encouragement. It's why we go to conferences, log on to writer's messageboards, pour our thoughts into blogs (*wink*).

So, today, whoever's reading this - consider yourself encouraged. Know that for every person in your life who doesn't support your writing, there are dozens upon dozens of writers out there (like me) who DO.

Saturday, September 26, 2009

What's in a Name?

Choosing a character name can be a difficult task - one that requires much thought and deliberation. If you're lucky, names come to you instantly, through some cosmic channel, and you don't have to work so hard. But, for the rest of us, it can take a lot of time to decide on a name.

The names are important because you, as a writer, have to live with that name for a long, long time. Names can be symbolic of something, or can cleverly fit the personality of the character. Or, they can also just sound great rolling off the tongue.

Some advice I've learned throughout the years:

1) Keep the first name down to minimum syllables. If the name is 3 or more syllables, it can be a little daunting to read over and over again. If you want, develop a nickname which makes it easier on the reader. For instance, one of my character names is Dorothea Farraday, but I call her "Dora," for short.

2) Try not to have character names that look the same on the page. Having them all start with a different letter can help. It can be really confusing for the reader to try and juggle names like Arthur, Alan, Angie, and Antonio. Their eyes have to stop and determine which character is which. It's much better if they're Ronald, Guy, Lenny, and Amanda.

3) Don't be afraid to experiment, to change character names, even later on as you edit the book. Just be sure you catch all of them when you're replacing them in the manuscript! :-)

4) Use the internet for help. I use, oddly enough, baby naming sites to help me figure out character names. This one is my favorite. There's also a last name site that's fantastic.

So, what's your advice/experience when choosing character names? Any tricks of the trade that help you out, make things easier?

Thursday, September 24, 2009

Music

I'm sitting here, working on my re-writes, and listening to this gorgeous compilation CD I put together last year, which I entitled, aptly enough, "Writer's Music." I adore music of all kinds - but I find I can only listen to a certain type as I write. Soft instrumental or slow classical, that's about it. Movie soundtracks are an ideal choice for me. Little Women, Sense & Sensibility, How to Make an American Quilt, Still Breathing, Unfaithful - these are my personal writing favorites. Ones I never, ever tire of hearing. They're soothing and lilting, but not distracting.

Speaking of distracting, I cannot write while watching t.v. or while listening to music with lyrics. It's too "busy" for me, and I can't focus. My mother, on the other hand, must have something going on while she writes. Loud t.v., loud music with lyrics, rock music - none of that bothers her. We often laugh about our opposite tendencies. But that's the beauty of it. We're all different people, just as we're all different writers.

I think the most important thing is figuring out, as a writer, what suits you best. Quiet background music? The noise of t.v.? The bustling of people at a sidewalk cafe? Or simply silence? Whatever facilitates and helps your writing, do it. Because finding something, no matter how small, that gets the best out of ourselves as writers is a goal we should all be seeking on a consistent basis.

Wednesday, September 23, 2009

What If...

That's the title of a wonderful book of writing exercises that I use at the start of every class (the authors are Anne Bernays and Pamela Painter, two creative writing teachers).

I give the students a creative prompt, and they write for 20 minutes. Then, if they wish, they can share theirs aloud. This seems to be the favorite part of the class for most students. Creativity-on-the-spot, I call it...

So, every now and then, I thought I'd post a prompt here for fun (I sometimes change things up a little from the book and put my own spin on it). If you're experiencing the dreaded writer's block, these exercises can help to jump-start your creativity in just a few minutes. Or, they can sometimes hold the potential seeds for a future story or book.

So, here's one for today: Write a short scene using these 5 words: pyromaniac, tuna sandwich, bowling pen, polyester, infinity.

Tuesday, September 22, 2009

Great Quote

I'm honestly too tired to blog today (after teaching, grading 20-something essays (one that contained 22 run-ons, ack!), and attempting to do my re-writes). So, I'm taking the easy way out and letting a genius writer do the work for me. Here's the quote I read to my Creative Writing class this morning, from Joseph Dougherty, a writer for "Thirtysomething" (before you roll your eyes at me, lol, that show had some real quality writers - one of them being no less than Oscar-winner Paul Haggis!). Anyway, I think there's such truth in this quote and I wanted to share:

The more you write, the less you censor, and the more comfortable you become trusting your instincts. You learn to get out of your own way, and start to experience that sense of spirit-writing, where scenes create themselves and characters find their own voices. . . I believe the most satisfying work a writer does is that for which she or he feels the least conscious responsibility. It simply flows from somewhere. You don't write it down so much as the paper is there to catch it. Ego is lost and you become transparent, something through which the story is seen and focused. For a writer, this is a state of grace.

Sunday, September 20, 2009

Distractions

They're everywhere. Every day.

For me, specifically today, they are:

* My Sheltie - she's bringing me toys, saying, "Play with me - you're neglecting me," with those pathetic brown eyes.
* Facebook - entirely too much fun. Chatting, quizzes, status reports, time wasters. Facebook is eeeevil, but I love it.
* Essays - they're sitting on my laptop (online classes) and on my desk, begging to be graded.
* Laundry and other daily must-do's around the house
* New Fall t.v. - this is a silly one, but all summer, there's been NOTHING on t.v. Now, suddenly, when I have nothing but work in front of me, there are dozens of new shows starting this week that I'd like to at least take a look at. Thank goodness for DVR's.

So - what are your distractions from writing, and how do you handle them? I guess for me, the first step is stopping and noticing them - realizing they are keeping me from my work (currently, my revisions for the agent). And once I recognize them, I apparently blog about them first (*grin*), and then I make myself GET TO WORK.

With that, I'm signing off, to get something productive done today. Well, at least that's the plan... ;-)